Neumann KM184 Cardioid Condenser Mic in Black

£709.00

This is the Neumann KM184 Cardioid Condenser Mic in Black from Neumann, available now in Condenser Microphones category on MicPro. Read More below.

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Description

The “Series 180” consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.

Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the “Series 180” is predestined for economy-minded production and home recording studios.

Applications
Their slender shapes and the transmission characteristics described below make the “Series 180” especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features
The KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.

Electrical features
The “Series 180” microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:

Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.

The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.

The output of the “Series 180”, as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy
The “Series 180” is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.

The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the “Series 180” is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

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Brand

Neumann

Neumann is one of the most respected microphone manufacturers in professional audio, known for setting industry standards in studio recording and broadcast. Their microphones are prized for exceptional clarity, consistency, and build quality, and are widely used in top studios around the world.

Neumann microphones are commonly chosen for vocals, orchestral recording, and broadcast applications, where accuracy and detail are critical. MicPro suggests Neumann for those seeking uncompromising sound quality and microphones that define professional recording standards.

Category

Condenser Microphones

Condenser microphones use a sensitive capsule design that can capture fine detail, fast transients and a broad frequency range. They are common choices for vocals, acoustic instruments, overheads, room work and studio recording, but their sensitivity also makes room sound and handling more noticeable. Compare large- or small-diaphragm construction, polar pattern, self-noise, maximum level, pad and high-pass options, and whether phantom power is required. The right condenser depends on the source, placement and acoustic environment, not simply on whether the microphone is marketed for studio use.

Tags

Cardioid

Cardioid describes a front-focused pickup pattern with useful rejection toward the rear. Placement, room reflections and the model’s off-axis response still affect the result.

Condenser

Condenser identifies a sensitive capsule design suited to detailed recording. Check phantom or USB power, room sound, self-noise, maximum level and the intended source.