MicPro take a look at the Klark Teknik MIC BOOSTER CM-2 2-Channel Dynamic Microphone Booster, this New Dynamic Dynamic Microphones by Klark Teknik. Available for delivery in the UK. Read More below for details, images and how to order.
The Klark Teknik MIC BOOSTER CM-2 Dynamic Microphone Booster allows you to record two dynamic or passive ribbon microphones simultaneously and provides an additional +25dB of headroom. The generous boost of headroom is ideal for minimising the risk of hiss on preamps when recording delicate parts with low-level output microphones. The CM-2 runs on phantom power making it the ideal choice for location recording and live shows. Simply plug it in and away you go!
Klark Teknik is a British audio engineering brand with a long heritage in professional live sound and studio processing, best known for its signal processors, DI boxes and effects rather than microphones themselves. Klark Teknik earned its reputation in touring and broadcast environments where reliability, clean signal handling and robust build quality are essential.
While Klark Teknik do not focus on microphones, their products are widely used alongside mics to improve sound quality, particularly DI boxes, preamps and processors for vocals, instruments and drums. They are especially strong in live sound and studio signal chains where accurate gain staging, low noise and dependable performance are critical.
Microphone preamps raise a low-level microphone signal to a usable line or converter level while adding gain, headroom and the character of the input stage. Compare available gain, equivalent input noise, input impedance, phantom power, pad, polarity or phase, metering, transformer or valve stages and any built-in EQ or compression. The catalogue includes standalone, rack, 500-series and multi-channel designs, so confirm the format and connections before purchase. A preamp should match the microphone’s output and the rest of the recording chain without adding unnecessary noise or gain stages.
Preamp identifies equipment that raises a microphone signal to a stronger line or converter level. Compare gain, noise, headroom, impedance, phantom power and connections.
