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  • Audio Technica PRO49QL Gooseneck Condenser Microphone
Audio Technica PRO49QL Gooseneck Condenser Microphone - Image 1

Audio Technica PRO49QL Gooseneck Condenser Microphone

£136.00

This is the Audio Technica PRO49QL Gooseneck Condenser Microphone from Audio-Technica, available now in Condenser Microphones category on MicPro. Read More below.

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Description

The Audio Technica PRO49QL is a cardioid condenser quick-mount gooseneck microphone perfect for improving the sound of lectures and presentations. It can be connected to any three-pin female XLR connector with phantom power including a flush-mounted wall or desk plates. The flexible gooseneck has a length of 418mm and allows you to accurately position the microphone to achieve the best possible sound capture. The frequency range of 70Hz to 16kHz has an almost flat response and ensures natural-sounding vocal reproduction with no tonal deviation. With a cardioid polar pattern the PRO49QL condenser microphone isolates your voice and ensures that its the only sound captured. Rejecting unwanted sound from behind the microphone and ambient acoustic noise. Reduce plosive sounds wind noise and sibilance by fitting the included windscreen onto the microphone.

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Brand

Audio-Technica

Audio-Technica is a well-established audio manufacturer known for producing dependable microphones used across studio recording, broadcast, live sound, and content creation. Their products are widely respected for balancing sound quality, build reliability, and accessible pricing.

Audio-Technica microphones are especially popular for vocals, instruments, podcasting, and broadcast use, with many models becoming go-to choices for both professionals and home recordists. MicPro suggests Audio-Technica if you want consistent performance, clean sound, and a wide range of proven options suited to different recording needs.

Category

Condenser Microphones

Condenser microphones use a sensitive capsule design that can capture fine detail, fast transients and a broad frequency range. They are common choices for vocals, acoustic instruments, overheads, room work and studio recording, but their sensitivity also makes room sound and handling more noticeable. Compare large- or small-diaphragm construction, polar pattern, self-noise, maximum level, pad and high-pass options, and whether phantom power is required. The right condenser depends on the source, placement and acoustic environment, not simply on whether the microphone is marketed for studio use.

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Condenser

Condenser identifies a sensitive capsule design suited to detailed recording. Check phantom or USB power, room sound, self-noise, maximum level and the intended source.

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