Cloud Microphones Cloudlifter Mini CL-25

£139.99

This is the Cloud Microphones Cloudlifter Mini CL-25 from Cloud Microphones, available now in Microphone Preamps category on MicPro. Read More below.

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Description

The Cloud Microphones Cloudlifter Mini CL-25 is a compact gain booster suited to recording broadcasting podcasting and live sound. Providing up to +25dB of clean gain it increases the sensitivity of passive dynamic ribbon and tube microphones before their signal reaches your preamp. The Cloudlifter Mini CL-25 keeps your preamp within a more comfortable gain range helping reduce noise unwanted colouration and frequency degradation while retaining more of your microphones natural sound. Patented Class-A discrete JFET circuitry provides two noise-cancelling gain stages without placing capacitors or resistors in the signal path. The CL-25 uses +48V phantom power but does not pass it to the connected microphone helping protect ribbon and tube models. Plus its compact steel chassis custom gold-plated Neutrik XLR connector system and hard-soldered wire-free internal construction make it ready for regular studio broadcast and stage use.

Brand

Cloud Microphones

Cloud Microphones is represented in the current MicPro catalogue by Cloudlifter CL-X, CL-1 and CL-2 activators plus 44 Midnight active ribbon microphone. The listed range is relevant to ribbon microphones and clean inline gain. When comparing these products, check active or passive ribbon design, phantom-power requirements, gain, output, channel count and preamp compatibility. It is relevant to engineers pairing low-output microphones with suitable front-end gain while preserving the exact product’s power requirements. This description is kept catalogue-led, so the individual model listing remains the source for exact specifications, compatibility and included accessories.

Category

Microphone Preamps

Microphone preamps raise a low-level microphone signal to a usable line or converter level while adding gain, headroom and the character of the input stage. Compare available gain, equivalent input noise, input impedance, phantom power, pad, polarity or phase, metering, transformer or valve stages and any built-in EQ or compression. The catalogue includes standalone, rack, 500-series and multi-channel designs, so confirm the format and connections before purchase. A preamp should match the microphone’s output and the rest of the recording chain without adding unnecessary noise or gain stages.

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Preamp

Preamp identifies equipment that raises a microphone signal to a stronger line or converter level. Compare gain, noise, headroom, impedance, phantom power and connections.