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Heil Sound PR 28 Dynamic Drum & Tom Microphone

£89.00

This is the Heil Sound PR 28 Dynamic Drum & Tom Microphone from Heil, available now in Dynamic Microphones category on MicPro. Read More below.

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Description

Here’s what Heil Sound says:

The Heil PR 28 is a small form-factor dynamic microphone that is designed to perfectly capture toms and drums. Featuring a dual suspension element, the PR 28 accurately reinforces the nuances of a drum’s natural frequency spectrum without transmitting unwanted noise or vibration. The PR 28 provides superb sound isolation for the target drum, eliminating bleed from other drums or cymbals. For hard-hitting drummers, the PR 28 easily handles high SPL without overload. The PR 28 is designed to be used with the optional Heil HH-1 drum mount for standard, metal-hooped drums. The PR 28 is also excellent for other non-kit percussion including bongos, conga, timbale, and djembe, and easily attaches to a standard-threaded mic boom with its built-in threading.

 

Specifications

  • Output Connection: 3 pin XLR
  • Element Type: Dynamic
  • Frequency Response: 55 Hz – 18 kHz
  • Polar Pattern: Cardioid
  • Rear Rejection @ 180 degrees off axis: -35 dB
  • Impedance: 600 ohms balanced
  • Output Level: -51 dB @ 1 kHz
  • Weight: 9.6 oz
  • Max SPL: 142 dB

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Brand

Heil

Heil Sound is a specialist audio manufacturer best known for broadcast and live vocal microphones. The brand has a strong reputation in radio, podcasting, and live performance, where clarity, rejection of background noise, and durability are essential.

Heil microphones are often chosen for spoken voice, broadcast studios, and stage use, offering controlled, articulate sound that works well in untreated rooms. MicPro suggests Heil microphones for podcasting, broadcasting, and live vocals where focus and isolation are priorities.

Category

Dynamic Microphones

Dynamic microphones use a moving-coil or related robust capsule design and are often chosen for live sound, broadcast, drums, guitar cabinets, vocals and loud sources. They generally tolerate handling and high sound-pressure levels well, while many need more preamp gain than a sensitive condenser. Compare polar pattern, proximity effect, off-axis behaviour, grille and mounting, plus the available gain and noise performance of the interface or mixer. A dynamic microphone can be a focused close-range tool, but the model’s response and placement determine whether it suits speech, stage or instrument work.

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Dynamic

Dynamic identifies a robust microphone design often used for live vocals, broadcast, drums, cabinets and loud sources. Compare gain requirements, proximity effect and pattern.

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