Sennheiser E602 Dynamic Bass Drum Mic

£119.00

This is the Sennheiser E602 Dynamic Bass Drum Mic from Sennheiser, available now in Dynamic Microphones category on MicPro. Read More below.

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Description

The E602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.  Lightweight yet rugged the e602 is a workhorse mic for the lower frequency dominated instruments  and is equally great for low percussion due to its fast transient response. Now in its second generation, the E602 MK2 is now 40% lighter than its predecessor, allowing you to mount the mic onto the end of a long boom arm without drooping.

The E602 features a hum compensating coil and frequency independent directivity, giving a clean and isolated signal in tough live environments. The capsule is shock mounted and offers a fast attack with an extended low frequency response. The result is a mic that gives a kick drum plenty of punch and a bass guitar a warm smooth and articulate tone.

Features:

  • Dynamic instrument microphone with cardioid polar pattern
  • Rugged, lightweight aluminium body
  • Lightweight high-performance voice coil construction
  • Fast transient response
  • Low frequency extension
  • Frequency-independent directivity
  • Humbucking coil

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Brand

Sennheiser

Sennheiser is a leading audio manufacturer known for high-quality microphones used in studio recording, broadcast, live sound, and film production. The brand has built a strong reputation for innovation, reliability, and precise sound reproduction.

Sennheiser microphones are widely used for vocals, instruments, and location recording, offering clarity and consistency across a wide range of applications. MicPro suggests Sennheiser microphones for users seeking professional performance, durability, and trusted audio engineering.

Category

Dynamic Microphones

Dynamic microphones use a moving-coil or related robust capsule design and are often chosen for live sound, broadcast, drums, guitar cabinets, vocals and loud sources. They generally tolerate handling and high sound-pressure levels well, while many need more preamp gain than a sensitive condenser. Compare polar pattern, proximity effect, off-axis behaviour, grille and mounting, plus the available gain and noise performance of the interface or mixer. A dynamic microphone can be a focused close-range tool, but the model’s response and placement determine whether it suits speech, stage or instrument work.

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Dynamic

Dynamic identifies a robust microphone design often used for live vocals, broadcast, drums, cabinets and loud sources. Compare gain requirements, proximity effect and pattern.