Sontronics DM-1B Bass Drum/Bass Instrument Condenser Microphone

£369.00

This is the Sontronics DM-1B Bass Drum/Bass Instrument Condenser Microphone from Sontronics, available now in Condenser Microphones category on MicPro. Read More below.

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Description

Representing over two years of research, development and field testing, Sontronics DM-1B for kick drum and our pencil condensers (DM-1T for tom and DM-1S for snare) take Sontronics further into application-specific miking.
 
The DM-1B is a large-diaphragm, end-fire condenser microphone that has been designed specifically to capture and reproduce the various characteristics of a kick drum: the beater click, the heavy thump, the boomy decay and so on.
 
Sontronics DM-1B has a switchable -15dB pad that allows the microphone to deal with a whopping 155dB, and its sturdy build plus the aluminium flightcase mean it will perform equally well in the studio and in live applications.
 
The DM-1B and our other drum mics were all tested to destruction before launch, by various session drummers, live musicians and producers, including Flood (U2, Killers, Arctic Monkeys) who found that the DM-1B also gives excellent results on bass instruments, especially bass guitar cabs.

For a kick drum or bass instrument stand that stands out in the mix and is comparable to that offered by mics costing up to ten times the price, the Sontronics DM-1B is the obvious choice.

Quotes

“I used Sontronics drum mics with Flood at Assault & Battery where we compared them to mics costing significantly more. We were blown away by how good they sounded!” – Mark Rankin, Engineer/Producer (Florence & The Machine, Queens of the Stone Age, Plan B, Adele)
 
“The DM-1B is a thing of beauty… I tried it on a few bass drums and was immediately in love with its voicing as well as its look. It’s spacious and natural, totally focused on the characteristics you want to hear from your kick.” – Simon Edgoose, review for mikedolbear.com
 
“The results I’ve experienced with DM-1B, DM-1T and DM-1S have been amazing. I'm recording in a fairly small room and these mics capture the sound of the drums with all the punch and clarity that I need. The detail of the close mics is incredible!” – Pete Parada, Drummer for My Chemical Romance & The Offspring

Features

  • Large-diaphragm end-fire condenser mic for kick drum and bass instruments
  • Supplied with its yoke-style shockmount in a sturdy aluminium flightcase
  • Road-tested by producers Flood, Alan Moulder and Mark Rankin
  • Covered by Sontronics LIFETIME WARRANTY
  • Ideal for kick drum but also gives fantastic results on other bass instruments especially bass guitar cabs

Specifications

  • Polar pattern: Cardioid (end-fire)
  • Frequency response: 20Hz – 20kHz
  • Pad: 0, -15dB
  • Sensitivity: 6mV/Pa -45dB ±1dB (0dB = 1V/Pa @ 1,000Hz)
  • Impedance: 200 Ohms
  • Equivalent noise level: 14dB (A-weighted)
  • Max SPL (for 0.5% THD @ 1,000Hz): 155dB (with -15dB pad switched in)
  • Power source: Phantom power 48V ±4V
  • Connector: Three-pin XLR
  • Supplied with: Alumnium flightcase

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Brand

Sontronics

Sontronics is a British microphone manufacturer known for hand-built microphones designed for studio, broadcast, and live use. The brand focuses on characterful sound, solid build quality, and distinctive design, with many of their microphones made in the UK.

Sontronics microphones are used for vocals, instruments, and podcasting, offering a balance of clarity and musical character. MicPro suggests Sontronics for users looking for well-crafted microphones with personality and a strong focus on sound quality.

Category

Condenser Microphones

Condenser microphones use a sensitive capsule design that can capture fine detail, fast transients and a broad frequency range. They are common choices for vocals, acoustic instruments, overheads, room work and studio recording, but their sensitivity also makes room sound and handling more noticeable. Compare large- or small-diaphragm construction, polar pattern, self-noise, maximum level, pad and high-pass options, and whether phantom power is required. The right condenser depends on the source, placement and acoustic environment, not simply on whether the microphone is marketed for studio use.

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Condenser

Condenser identifies a sensitive capsule design suited to detailed recording. Check phantom or USB power, room sound, self-noise, maximum level and the intended source.