Cloud Microphones Cloudlifter CL-X In-Line Preamp

£149.99

This is the Cloud Microphones Cloudlifter CL-X In-Line Preamp from Cloud Microphones, available now in Microphone Preamps category on MicPro. Read More below.

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Description

The Cloudlifter CL-X Mic Activator is ideal for recording engineers musicians and live performers who need extra gain and tone control for dynamic and ribbon microphones. It provides up to +36 dB of ultra-clean gain lifting low-output mics to usable levels while reducing hiss and unwanted noise. Its custom nickel-core CineMag transformer introduces musical harmonic content giving recordings extra warmth and depth without muddying the sound. By using standard +48V phantom power but blocking it from reaching sensitive mics the CL-X keeps valuable ribbons and tubes safe. Users can switch between a full boost or a more subtle lift to suit changing performance needs. This makes it easy to adapt to any setting from home studios to live stages. With the CL-X achieving clear natural and professional audio becomes much simpler for any user.

Brand

Cloud Microphones

Cloud Microphones is represented in the current MicPro catalogue by Cloudlifter CL-X, CL-1 and CL-2 activators plus 44 Midnight active ribbon microphone. The listed range is relevant to ribbon microphones and clean inline gain. When comparing these products, check active or passive ribbon design, phantom-power requirements, gain, output, channel count and preamp compatibility. It is relevant to engineers pairing low-output microphones with suitable front-end gain while preserving the exact product’s power requirements. This description is kept catalogue-led, so the individual model listing remains the source for exact specifications, compatibility and included accessories.

Category

Microphone Preamps

Microphone preamps raise a low-level microphone signal to a usable line or converter level while adding gain, headroom and the character of the input stage. Compare available gain, equivalent input noise, input impedance, phantom power, pad, polarity or phase, metering, transformer or valve stages and any built-in EQ or compression. The catalogue includes standalone, rack, 500-series and multi-channel designs, so confirm the format and connections before purchase. A preamp should match the microphone’s output and the rest of the recording chain without adding unnecessary noise or gain stages.

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Preamp

Preamp identifies equipment that raises a microphone signal to a stronger line or converter level. Compare gain, noise, headroom, impedance, phantom power and connections.