TritonAudio FetHead Germanium In-line Microphone Preamp

£69.99

This is the TritonAudio FetHead Germanium In-line Microphone Preamp from TritonAudio, available now in Microphone Preamps category on MicPro. Read More below.

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Description

The TritonAudio FetHead Germanium In-line Microphone Preamp is the perfect pairing with ribbon and low-output dynamic microphones. Although it may be small it is mighty. When connected to your microphone it delivers a clean boost of up to 29dB. This means you no longer need to crank your preamp to achieve the perfect level of gain. Theyll be no more noise or hiss just great sounding recordings! Coming complete with a germanium transistor youll be able to easily achieve that highly sought after “vintage mojo with minimal effort required. Incredibly easy to install simply connect the FetHead in between your XLR equipped microphone and cable. All the components are housed within a rugged durable chassis that is perfect for protection from superficial damage guaranteeing a long-lasting life. Whether youre on-stage or in the studio rest assured knowing youll sound great thanks to TritonAudio.

Brand

TritonAudio

TritonAudio is represented in the current MicPro catalogue by FetHead, FetHead Phantom, Phantom Blocker, FetHead Transformer, Germanium and Filter products. The listed range is relevant to inline microphone gain, phantom-power management and signal accessories. When comparing these products, check inline placement, gain, phantom-power behaviour, impedance, transformer or filter function and compatibility with the microphone and preamp. It is useful when a microphone chain needs targeted signal conditioning rather than another general-purpose interface input. This description is kept catalogue-led, so the individual model listing remains the source for exact specifications, compatibility and included accessories.

Category

Microphone Preamps

Microphone preamps raise a low-level microphone signal to a usable line or converter level while adding gain, headroom and the character of the input stage. Compare available gain, equivalent input noise, input impedance, phantom power, pad, polarity or phase, metering, transformer or valve stages and any built-in EQ or compression. The catalogue includes standalone, rack, 500-series and multi-channel designs, so confirm the format and connections before purchase. A preamp should match the microphone’s output and the rest of the recording chain without adding unnecessary noise or gain stages.

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Preamp

Preamp identifies equipment that raises a microphone signal to a stronger line or converter level. Compare gain, noise, headroom, impedance, phantom power and connections.