TritonAudio FetHead Transformer

£79.99

This is the TritonAudio FetHead Transformer from TritonAudio, available now in Microphone Preamps category on MicPro. Read More below.

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Description

The TritonAudio FetHead Transformer combines a nickel core with a Class-A JFET amplifier resulting providing up to 28dB of transformer-infused gain with ultra-low-noise performance – perfect for use with ribbon and dynamic microphones. Perfect for recording vocals for music and podcasting the FetHead Transformer provides a unique warm character resulting in added depth and power. Get that radio-ready sound instantly using the FetHead Transformer giving you that sought-after low-end power that can be missing from ribbon and dynamic microphones. Acting as a go-between for your microphone and mixing console/audio interface the FetHead transformer attaches easily to any XLR-equipped microphone. With its rugged construction and streamlined design the FetHead is the perfect solution for adding natural warmth to your microphone without the need for EQing or external effects. Whilst the FetHead Transformer uses Phantom Power it doesnt pass it to the microphone; helping to keep your mic safe for added convenience.

Brand

TritonAudio

TritonAudio is represented in the current MicPro catalogue by FetHead, FetHead Phantom, Phantom Blocker, FetHead Transformer, Germanium and Filter products. The listed range is relevant to inline microphone gain, phantom-power management and signal accessories. When comparing these products, check inline placement, gain, phantom-power behaviour, impedance, transformer or filter function and compatibility with the microphone and preamp. It is useful when a microphone chain needs targeted signal conditioning rather than another general-purpose interface input. This description is kept catalogue-led, so the individual model listing remains the source for exact specifications, compatibility and included accessories.

Category

Microphone Preamps

Microphone preamps raise a low-level microphone signal to a usable line or converter level while adding gain, headroom and the character of the input stage. Compare available gain, equivalent input noise, input impedance, phantom power, pad, polarity or phase, metering, transformer or valve stages and any built-in EQ or compression. The catalogue includes standalone, rack, 500-series and multi-channel designs, so confirm the format and connections before purchase. A preamp should match the microphone’s output and the rest of the recording chain without adding unnecessary noise or gain stages.

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Preamp

Preamp identifies equipment that raises a microphone signal to a stronger line or converter level. Compare gain, noise, headroom, impedance, phantom power and connections.