Audix DP Elite 8 piece Drum Mic Pack

Description

The Audix DP Elite 8 piece Drum Mic Pack is currently retailing at GBP 1999 and it is out of stock. Available to be delivered to you by post direct (some charge may apply).The team at Mic Pro think that Audix nailed it with the Audix DP Elite 8 piece Drum Mic Pack.

Are you looking to mic your drum set-up and don’t know where to start? Take a good look at the DP Elite 8 piece Drum Mic Pack from Audix and see how your performance can be enhanced. Combining a variety of eight microphones, every aspect of your 5-piece kit will be covered! These mics perform under a live-playing and studio envrionments, making them extremely versatile, while the D6, (Audix’s flagship kick drum mic), two-D2’s (for rack toms), one D4 (for your floor tom), the i5 (for snare), a pair of SCX1C’s (for overhead miking), and the SCX1-HC (for high-hats) provide you with clarity and definition engineered for every frequency and dynamic.

Here’s what Audix say about the Audix DP Elite 8 piece Drum Mic Pack:

The DP Elite 8, as the name implies, is the ultimate combination of 8 microphones needed to mic up a 5 piece drum kit. All mics perform equally well whether it be on a live stage or in the studio. . Included in the DP Elite 8 drum mic package is the D6, Audix’s flagship kick drum mic, two- D2’s for rack toms, one D4 for floor tom, the i5 for snare, a pair of SCX1C’s for overhead miking, and the SCX1-HC for high-hat. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the SCX1 microphones. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

Individual Mic descriptions:

D6 – Kick Drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the “sweet spot” of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today’s live stages and recording studios.

i5 – Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5’s cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2 (two) – Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 – Floor Tom
The D4, which provides an additional oc